Mendieta’s colleague Morty Sklar cut off sections of his beard, then Mendieta took the hair and glued it to her face. Ana Mendieta est née à la Havane le 18 novembre 1948. Ana Mendieta (1948-1985) Arbol de la Vida (Tree of Life), from the Silueta series signed, titled and dated 'Silueta Series "Arbol de la Vida" Ana Mendieta 76' (on the overmat) color coupler print 20 x 13 in. She visited pre-Columbian sites and became interested in Indigenous Central American and Caribbean culture and rituals, incorporating ancient goddess archetypes and notions of feminine life force in her work. Silueta Series. (50.8 x 33 cm.) Please include your name, email address and phone number in any message, so that we can contact you to provide the information in another format. Died in New York, USA, 1985. In an interview between Alice Maude-Roxby and Hans Breder, Breder tells of how he and Ana Mendieta would always discuss the translation of action into photography prior to the actual live event. Zvuk: Emil Kopta, Kamera: Yvon Teysslerová, Střih: Zdeněk Smrčka, Námět: Nikola Bukajová, Režie: Lucie Klímová, Hudba: Sigur Rós Ana Mendieta es considerada una de las artistas más prolíficas e innovadoras de la posguerra. The ‘Silueta Series’ began whilst Ana Mendieta was on a journey to Oaxaca, Mexico, with Hans Breder, a German artist with whom Mendieta had a decade-long relationship with, who assisted Mendieta in photographing her performances. Imagen de Yagul, from the series Silueta Works in Mexico 1973-1977, 1973 Artwork Info Artwork title Imagen de Yagul, from the series Silueta Works in Mexico 1973-1977 Artist name Ana Mendieta Date created 1973 Classification photograph Medium chromogenic print Dimensions 20 in. See the renowned permanent collection and special exhibitions. The shape of a female figure is practically shaped out of fireworks. Ana Mendieta. Ana Mendieta ’s “ Silueta ” series (1973–78) online and was immediately entranced. The photograph provides not only a new way of creating visual art, but also a revolutionised way of considering and representing time. Siluetas Series 1973-78 Siluetas was a long-term project with over 200 silhouettes in all. The distinction between the two lines of enquiry has the capacity to change the photographic/film documented evidence into a combined element or finished product of the work itself. x 13 3/8 in. Alma Silueta en Fuego (Silueta de Cenizas) by ANA MENDIETA. I discovered the “Silueta” series shortly before I learned that I had fibromyalgia. Mendieta often obsessively approached the visual conceptualization of her images. Super-8 colour, silent film, 3 mins. Cantor Fitzgerald Gallery, Haverford College. Imagen de Yagul, from the series Silueta Works in Mexico 1973-1977, 1973. Ana Mendieta: Earth Body, sculpture and performance 1972-1985, Hirshhorn Museum ans Sculpture Garden, Washington (2004-2005) ... Alma Silueta en Fuego, 1975. Ana Mendieta was a Cuban-American performance artist, video-artist, and sculptor interested in the relationship between the female body and nature. 528 West 26th Street The use and dependence of documentation through photography to capture the event of ephemeral artworks allows the question to emerge: what is the artwork and what is the documentation? The Silueta Series is Mendieta’s most well-known body of work, created between 1973 and 1980 in various locations including Iowa and Mexico. Super-8 colour, silent film, 3 mins. / Christine Redfern et Caro Caron ; traduit de l'anglais par Susanne de Lotbinière-Harwood ; préface de Lucy R. Lippard, 2011. Heart of Rock with Blood (Corazon de roca con sangre) Silueta Series. (40.7 x 50.8 cm.) The Life of Forgotten Feminist Artist Ana Mendieta, As Told By Her Sister Our Pick. Narrativa. Mendieta felt that by uniting her body with the earth sh… Ana Mendieta. 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